The idea of the collective suggests a set of possibilities that do not rely upon personal vision or independent will. It can expand upon, enable, and obscure individual contribution – sometimes all at once – and, at its best, it surprises everyone. But the collective also requires a certain level of individual sacrifice to larger organizing principles – be they theatre, yoga, or architecture. It can be easy to confuse the collective impulse with a desire for what may actually be its opposite: absolute individual autonomy. All too often that becomes the only opening that those who value neither need in order to exploit others and do harm. Aaron and Ira begin by thinking about the ephemeral processes of collective theatre-making. They end up discussing two very concrete prototype habitats, each built by an unusually collected group of people in the Arizona desert. One of these projects counterintuitively turns out to also have its roots in collective theatre-making, though it is remembered and evaluated as a scientific laboratory. The other is intentionally and explicitly a laboratory, a specifically urban one, in the form of an incipient model city that may or may not still be in progress.
Music:
“Open Up Your Heart” by Roger Miller (a song which features the show’s namesake lyric). arranged and recorded especially for JIALIO by 80 Foots, Chicago’s only End Times Vocal Trio.
“Open Up Your Heart” by Buddy Killen + Roger Miller
Arranged and recorded by: 80 Foots (https://www.facebook.com/80FPM)
The idea of the collective suggests a set of possibilities that do not rely upon personal vision or independent will. It can expand upon, enable, and obscure individual contribution – sometimes all at once – and, at its best, it surprises everyone. But the collective also requires a certain level of individual sacrifice to larger organizing principles – be they theatre, yoga, or architecture. It can be easy to confuse the collective impulse with a desire for what may actually be its opposite: absolute individual autonomy. All too often that becomes the only opening that those who value neither need in order to exploit others and do harm. Aaron and Ira begin by thinking about the ephemeral processes of collective theatre-making. They end up discussing two very concrete prototype habitats, each built by an unusually collected group of people in the Arizona desert. One of these projects counterintuitively turns out to also have its roots in collective theatre-making, though it is remembered and evaluated as a scientific laboratory. The other is intentionally and explicitly a laboratory, a specifically urban one, in the form of an incipient model city that may or may not still be in progress.
Music:
“Open Up Your Heart” by Roger Miller (a song which features the show’s namesake lyric). arranged and recorded especially for JIALIO by 80 Foots, Chicago’s only End Times Vocal Trio.
“Open Up Your Heart” by Buddy Killen + Roger Miller
Arranged and recorded by: 80 Foots (https://www.facebook.com/80FPM)